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I’m sure I’ve mentioned on this blog before that I got into reading crime fiction through Agatha Christie, partly because of the wonderful film version of Murder on the Orient Express (reviewed on my film page) but also through my Mum buying me a copy of Nemesis with a creepy Tom Adams cover to get me through a bout of flu.
The paintings of Tom Adams were associated with Christie’s novels in paperback for almost 20 years. A number of them were collected in Agatha Christine: The Art of Her Crimes in the early 1980s. Sadly this seems now to be out of print, but I was able to get hold of a slightly bashed second hand copy which, in addition to the artist’s own comments, has a commentary by Julian Symons and an introduction by John Fowles.
I have always loved how Adams’ paintings caught the spirit of Christie’s novels, even when the objects on the covers seem obscure in terms of the story, although I’ve always suspected that if I had been paying more attention I would have seen a greater relevance in the objects he uses.
Sadly I don’t have a full set of the Tom Adams Christies but I’ve reproduced one or two of my favourites here and hope that you enjoy them. Although some of the later paperbacks have attractive covers nothing says Agatha to me like Tom Adams.