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So the blog was on hiatus for a few weeks while I was dealing with some health issues which means that I have ten, count them, TEN book reviews to write and publish. But as part of my post-illness strategy is to not put pressure on myself, plus adjusting to the meds I’m now on during this period means things are a wee bit fuzzy, I’ve decided to write two posts, one each for fiction and non-fiction, with my short impressions of the books. So I can both satisfy the nerd part that wants everything recorded, while keeping the anxious part quiet. So here we go with *drum roll* fiction.
I read the bulk of this on a very pleasant train journey from Edinburgh at the end of May. It’s one of those books that everyone but everyone has been reading and reviewing so I’m not sure that I can add much that’s meaningful to all the words already out there, except to say that I really enjoyed it, Teddy is a wonderful character, it’s beautifully written, the parts about Teddy’s war service are astonishingly good and it was very moving. I’m not entirely sure that I understood the ending, and I think I may still (very slightly) prefer Life After Life, but this was a goodie.
This is sort of a sequel to The Three which I read and enjoyed last year. It’s another creepy horror novel, this time with a group of people stuck on a cruise ship where Something Goes Terribly Wrong in an is it aliens or something else we don’t understand but is out to mess with us kind of way. I liked it a lot.
There were lots of characters with no redeeming social features who got what they deserved but enough reasonable people to root for, and it was nicely done. And has reinforced my view that cruises are simply not for me.
The seventh in the series by Richard Montanari, I have to confess that this is a bit of a blur.
The structure is the same as always, alternating viewpoints between Byrne and Balzano and the perpetrator, and there is definitely something to do with an asylum and their personal lives develop further and I know that I enjoyed reading at the time but that’s all I’ve got for you, sorry.
The eighth and as far as I’m aware the latest Byrne and Balzano story, this is the one with the dolls, obvs. And Byrne buys a house which used to belong to a convicted killer from a case he was involved in before. And the POV of the killer(s) is even creepier than you might expect from this series, which has been consistently enjoyable.
But again the details are a bit vague which is probably just as well as you really want to come to these fresh. By the way, I hate this cover SO MUCH.
This is the second in the Plague Trilogy; I devoured the first volume last year (my review is here) and was looking forward to this one being published and got my hands on the e-book as soon as it came out.
Different set of characters trying to deal with the sickness that has decimated the population and the impact that it has had on society. Violence and peril and alliances and danger and sacrifice. beautifully written, very compelling, I enjoyed it immensely and I’m already hankering after the third volume which I understand from a Twitter exchange with the author will have lots of jeopardy.
The novella by Clive Barker which was the basis for the Hellraiser moves, I was mildly astonished that I hadn’t read this before (honestly, call myself a horror fan?) and this was actually a book group read for a meeting I didn’t manage to attend. It’s a nasty little story full of blood and guts and torture and I thought it was great. Quite different from the film version though and *whispers* I think the story is better.
The most recent of the Laundry Files (well at least until this week when the next volume is published and before you ask, yes I have ordered it), this is basically about the bit of the civil service which deals with occult nonsense as described previously, but this time involves vampires. In the City of London. And other weird stuff.
I liked it a lot. I just really love Bob, the main protagonist, and his wife and the stuff he has to deal with and the endless bureaucracy and the fact that he doesn’t always have an answer for everything and bumbles along. I’ve seen a couple of mentions on Twitter and elsewhere that suggest others had problems with this entry in the series but I don’t exactly know why and I’m not sure I care enough to look. I am anxious about the fate of one of my favourite characters though…
So that quick canter through recent fictions reads brings me up to date. I feel a little guilty that I’m not giving these books the full treatment they probably deserve but the alternative was just to ignore them and I would have felt even worse about that, so there we are.
At its simplest Tony & Susan by the late American author Austin Wright is a book about the experience of reading. First published in 1993, it’s been out of print for a while (and think it might still be in the US), possibly because it isn’t a book that can be easily categorised, and is of interest for that reason alone. I was going to say that it “tells the story of” but it doesn’t really; we are with Susan as she reads the novel written and sent to her by her ex-husband Edward, while her current husband Adrian is away at a conference. We learn about Susan’s relationships as she ponders her past in between reading the novel, in which Tony is the central character.
Why did I want to read it?
I bought this as an ebook this time last year but can’t remember where I heard about it or who may have recommended it to me. It reappeared on my radar following a mention on Twitter by James Smythe (an author I really rate and have reviewed here more than once) as a book that really unsettled him, and as I had just been through a series of serial killer based police procedurals I was looking for something different and this was it.
What did I think about it?
This is a novel that has clearly resonated with a number of distinguished people who have loved it and praised it to the skies. You are probably expecting a “but” now, however I’m not going to disagree with them necessarily. It is an unsettling book in that I’m not sure exactly what it is, if I can put it that way. Much depends I think on your reaction to the book within the book, the story of Tony and the dreadful events that befall him (the internal novel is called Nocturnal Animals) and I suspect that’s where my problem lies because I really didn’t get on with NA at all; I’m not sure whether it was meant to be a thriller or a revenge tragedy but I got so cross with Tony that I didn’t really care what happened. I was much more invested in Susan, her fears and memories and hopes all triggered by the experience of reading NA. I liked her, I think I understood her and I was always impatient to get back to what she was thinking. I don’t know if that’s a gender thing (I’d like to think it’s not as simple as that given how much blood and guts revenge stuff I actually read) and in many ways Tony and Susan are equally passive, but I found her passivity easier to swallow, though of course I’ve never been through anything remotely as awful as Tony so have no idea about how I might act, and am therefore probably being totally unfair. I just wanted to shake him. A lot.
So a book that I admired rather than enjoyed, though Susan’s voice has stuck with me longer than I expected.
The Killing Room is the sixth in Byrne and Balzano Philadelphia crime novels. It is all as you were before, but that’s not a problem because why would you tinker with a winning formal. After all, I’m still reading them, aren’t I?
What’s the killer’s thing?
Religious fanaticism. Unpleasant deaths, and I mean very unsettling. Deals with the Devil. Abandoned churches. High level of creepiness.
What’s the situation with Byrne?
He has become a mentor to a young boy in care whose brother was killed by drug dealers. He (Byrne, not the kid) gets a bit out of control with this dealer and ends up in mandated therapy. There may be a new woman in his life.
What’s the situation with Balzano?
Has moved house and is settling down with her lovely family. She is thinking of starting to hit things professionally again. One of the victims has a particular effect on her which lingers throughout the book.
Is there anything new here?
The level of backstory for the murderer is higher than before I think, and the external influences are a bit more obvious.
What did I think of it?
I liked this entry in the series a great deal; I’ve always been one for a high level of mayhem inspired by religious mania and we have it all here; belief in the Devil, making people deliver on the deals they have made with that particular entity, murders carried out in a bizarre but well thought out way. It has to be said though that there are some similarities to the very first book, The Rosary Girls – Catholic Church in embarrassing scandal, inconvenient sleazy journalist and so on, and elements of the story echo back to Se7en (though not quite as bizarrely gruesome). It even includes a significantly nasty killer returning from an earlier entry in the series. But as always what makes these books so good is the characterisation of the two leads, the vitality of the setting, and the pace and plotting. I read it in a single sitting (again).
However, they have kind of started blurring together a bit so I am going to take a break before reading the final two entries in the series. Still very highly recommended though!
The Echo Man is the fifth in the Byrne & Balzano Philadelphia series of crime novels. We are still following our two main heroes, but there are other characters more regularly in the mix.
What’s the killer’s thing?
Our murderer’s focus is on recreating past unresolved Philly murders by killing those who were apparently guilty but never prosecuted or convicted and posing them (and their accomplices where appropriate) at the original crime scene and related sites. They are all posed the same way, their faces covered in paper.
What’s the situation with Byrne?
Lots happening with the big guy. This case is tied in with his very first homicide investigation and his feelings for the woman convicted of that killing, a beautiful and talented cellist.
What’s the situation with Balzano?
At the beginning of the story Balzano takes down a nasty piece of work which you feel will inevitably come back to haunt her. She is also wanting to adopt a small boy she came across on a case, and she and her family are moving home, so lots going on here too.
Is there anything new here?
Bigger cast of characters, a return to more in-depth backstory for B&B, but honestly, how many women are there in Byrne’s life; they all seem to get involved in his work one way or another.
What did I think of it?
I liked this one a lot though I must admit there were times I just wanted to give Byrne a shake, though it seems to be a trait prevalent in US law enforcement that the hero will go off the grid regardless of what the consequences might be if he thinks he is right (yes Ryan Hardy from The Following, I am looking directly at you). I also really thought I’d worked out who the killer was only to be totally blindsided by the reveal at the end. Some of it was a bit far-fetched but the characterisation of everyone involved is so strong and the writing so clear and pacy that you just tend to stick with it. I basically read this in one sitting and totally got swept along with it.
Play Dead is the fourth in Byrne and Balzano Philadelphia crime novels. The deal is very much as it was before.
What’s the killer’s thing?
Someone is targeting (mostly) young runaways and using them to recreate magic tricks/illusions in real life. It is not pretty. And there are clues being fed to the police in a standard race against time scenario..
What’s the situation with Byrne?
He’s still in love with his ex-wife (there may be developments in that area hinted at here) and he may also have a connection with one of the victims.
What’s the situation with Balzano?
Back with her husband properly now, not hitting things quite so much, settling down into being an experienced member of the team.
Is there anything new here?
Not really, but that’s not necessarily a bad thing.
What did I think of it?
I think I said in my review of the last volume in the series that it could have been the end of the trilogy and that it had hinted at potential changes for our two lead characters, but what was a little disconcerting (and a bit disappointing if I’m honest) is that those narrative threads are just dropped. Byrne’s lady friend has just fallen off the map entirely with no explanation, and Balzano’s thing is referenced very briefly nd only in passing. I wonder if the author was trying for something a little bit new because although the structure of the novels is still very similar (alternating between killer and the two main detectives POVs) we know exactly who the murderer is and what he’s up to and why right at the beginning, and a fourth perspective (that of a runaway who we assume is a potential victim) is introduced. Although the killer’s backstory adds real depth there are an awful lot of things and people stuffed into the book, and I wonder if that’s why the ongoing backstory for B&B is not so well-defined.
But still a high quality thriller, a bit more gothic than the others and for that reason alone hugely enjoyable.
Broken Angels is the third in the Byrne & Balzano Philadelphia series of crime novels, taking place some time after the events of The Skin Gods and I won’t say more than that. The structure is the same as before, alternating narratives from the perspectives of the two detectives and the unidentified murderer(s). There may be a pattern here 🙂
What’s the killer’s thing?
Murder and mutilation of mostly (but not entirely) young women in the manner of classic fairy tales. But, to complicate matters, there seems to be another set of killings taking place. Of course they’re connected, but the question is exactly how.
What’s the situation with Byrne?
Right at the very beginning of the book Byrne is involved in an incident at a local coffee shop which, to say the least, does not go well, and he has to cope with the fall-out from that throughout the novel.
What’s the situation with Balzano?
Things are settling down in her personal life but she is getting broody, and is worried about her partner. She is still good at hitting things.
Is there anything new here?
Well, there is the introduction of a new detective to the team, Josh Bontrager, who looks like he might become a major fixture and has an interesting back-story, having been brought up in the Amish community. Cue lots of jokes.
What did I think of it?
Once again I enjoyed this novel but I think the formula is beginning to stretch a little bit, which is why I was glad that in some ways I didn’t have to work out who the murderer was (we know quite early on about one of the killers, and the other is identified to us through an alter ego). There is an interesting sub-plot about a retired detective and the case that continues to trouble him, and of course it’s all connected and of course they finally get to the bottom of it, but a lot of damage is done to everyone concerned. There is a fabulous set-piece near the end in the snowy countryside, and for that reason I thought this was probably the most cinematic of the books so far. The end of the novel seems to be setting up some potentially major changes for our heroes, and it felt a little bit like the conclusion of a trilogy and could have stopped there quite happily, but as we know there are another five in the series (so far).
The Skin Gods is the second in the Byrne & Balzano Philadelphia series of crime novels, taking place some time after the events of The Rosary Girls because of Stuff I Can’t Get Into (without spilling the beans on the previous book’s ending). The structure is the same as before, alternating narratives from the perspectives of the two detectives and the unidentified murderer.
What’s the killer’s thing?
Murder and mutilation of a wide range of people in the manner of famous movie murders, scenes which are filmed and spliced into video tapes for innocent members of the public to find.
What’s the situation with Byrne?
Suggestions of tainted evidence in an old case let a very nasty person out of jail while his conviction is reconsidered, and Byrne (who helped put him away) feels responsible for the woman said bad guy attacked and goes off the grid for parts of the novel to find out what’s going on and Put It Right.
What’s the situation with Balzano?
Still dealing with whether her husband is cheating or not. Has the joy of going undercover into the seedy parts of the film industry. Is still very good at hitting things.
What did I think of it?
Another enjoyable and pacy serial killer thriller (surely that’s a thing?), with some incredibly gory set pieces and a high level of inter-connectedness in the victims which strains credibility a touch but only if you stop to think about it, so I didn’t. Once again I thought I had worked out who the killer was only to get it totally wrong. Oh, and the FBI get involved in this one, and as someone who loves shows like Criminal Minds it was nice to see what it’s like from the local PD point of view when the Feds turn up. There is potential for the books to become a bit formulaic if the pattern in the first two is followed too closely in future volumes, but at the moment it’s still cool, largely because the two main characters are still flawed but immensely likeable.
I’ve already finished the third in the series and have started the fourth so that should tell you something. I may have said that before *tut* repetition, repetition 😀
So thanks first of all to Lynn because if she hadn’t written this review I would never have come across the work of Richard Montanari. I’ve read the first two of his (so far) eight book series about Philly detectives Kevin Byrne and Jessica Balzano and am not quite halfway through the third. They are exactly what I needed to get me out of my recent mini-reading slump.
So what’s the set-up?
So in The Rosary Girls we are introduced to the recurring characters of Byrne (veteran) and Balzano (newbie), detectives in the Philadelphia PD Homicide division. And what do you know, the first case they work on together is an unpleasant serial killer targeting young girls. The structure of the books is based around alternating narratives from the perspectives of the two detectives and the unidentified murderer.
What’s the killer’s thing?
Murder and mutilation of Catholic schoolgirls for reasons that are unclear initially of course, but there is (as always) a logic of sorts, and other deaths as collateral damage.
What’s the situation with Byrne?
Veteran detective finally (possibly) putting to bed an old case while getting used to a new partner. He drinks, he’s divorced, his daughter is deaf, he has a tendency to deal with matters in his own way, but I liked him. Oh, and there’s possibly a bit of a psychic thing going on. Irish background.
What’s the situation with Balzano?
Daughter of a police officer, first case as a new homicide detective, smart, well organised, small daughter, unofficially separated from cheating husband who is also a police officer. Oh and she is a boxer. Italian background. I liked her too.
What did I think of it?
Must have enjoyed it because I’m on the third in the series as I said at the top of the post. I really like a good police procedural and although I think the subject matter would be pretty dark for many readers (I have a tendency towards the gruesome and unpleasant so this wasn’t a problem for me) it’s a well written and pacy novel which takes you through how the police handle a case like this through a mixture of their day to day work and (just as importantly), the effect it has on their lives when they are off duty. I really thought I’d worked out who the killer was and was close but no cigar. The most enjoyable thing for me was that the two main characters actually like and respect each other; the necessary drama in their private lives is with other people, but together they are a great team. And no romance on the horizon, at least not with each other, a good thing IMHO.
Triss wakes up after an accident which resulted in her being pulled half-drowned from a river near the cottage where she is staying with her parents and her younger sister Pen. But something isn’t right, Triss has changed in ways she doesn’t understand, and she needs to travel to some dark places to find out what’s going on and, more importantly perhaps, who she is.
Why did I want to read it?
I’ve had Cuckoo Song on my eTBR for a while but it was only when it was nominated for the first James Herbert award that I pulled it forward to read. I was intrigued about what could be in an ostensibly children’s book that got it onto that nominee list.
What did I think of it?
This is definitely a slow burner of a read, but incredibly atmospheric and once the world that Triss finds herself in has been established the plot really kicks off and builds to a very satisfying climax. Without being too spoilery, it’s clear from very early on that our Triss isn’t the real Triss but some form of changeling, and the question is how and why that has happened and to what ultimate purpose. So we get into some complicated family dynamics, parents who have become overprotective of their children because of the death of their only son in WWI, resentment between siblings, frustration at being hemmed in and the bargains people will make to get what they think they want without any real thought for the consequences.
It’s set in a version on 1920s England that has a steampunk aesthetic (at least that’s how I thought of it) but also a sense of there being another world of strange creatures sitting just to the side of the real world that our characters inhabit. There’s cruelty and kindness of all kinds, but the main impetus of the story is not-Triss trying to establish some form of identity for herself while trying to put right the things that have been done with her as an unwitting participant. And it has a really cool bad guy.
It took a little while for me to get into the story, and I actually set it aside for a bit until I was in the right frame of mind for this dark and unsettling fairy tale, but I’m glad I went back to it because it is a really well-written and effective story with some genuine horror at its heart.
I am counting this towards both Once Upon a Time IX (for the fairy tale and fantasy elements though it wasn’t on my planned reading list), and 2015 Horror Reading Challenge (because of the James Herbert nomination).
I have at least two more (possibly three) of Hardinge’s books and I will be sure to read them given how much I came to like Cuckoo Song.
What’s The Burning Man all about?
Still under the auspices of the City of London Police, Bryant & May and the remainder of the Peculiar Crimes Unit are pulled into the investigation of the death of a homeless man during anti-capitalist protests in the city. The man was killed when a bank (in whose doorway he was sleeping rough) is firebombed. But of course there is much, much more to it than that, as an apparent random act is followed by other deaths by fire that indicate that someone is using the rioting as a cover for a protest of his own.
Why did I want to read it?
As I’ve said ad nauseam on this blog, I love these books and look forward to each one, snaffling it as soon as it’s published. Added frisson this time as I got my copy signed (see more of that below), and it might be the last we see of the PCU in this form. Which will be sad if true.
What did I think of it?
Another great story, as always full of plausible events with a strong sense of place and a delight in the characters, building on years of development but never (I think) shutting out the new or casual reader (though of course you always get more out of a series when you read them in order IMHO). And once again Christopher Fowler brings London to life with details of its history and legends underpinning the plot. For a start I am going to have to go and find Crutched Friars next time I’m near the Tower. And it was great to have a relatively rare foray outside of London, to visit the bonfires of Lewes on Guy Fawkes Night. The Book God is a Sussex man and I’ve had the opportunity to see a number of these amazing bonfires being constructed, though never been there on the big night itself, so interesting to see them incorporated into the story in such a significant way.
But back to the story; I was slightly anxious reading this as it seemed that the series was coming to an end, and although the thing that I feared did not come to pass there are significant changes for a number of members (actually probably all of them now I come to think of it) of the PCU. I understand there’s going to be a collection of short stories later in the year but this may very well be the last novel, which makes me sad.
As I mentioned I was lucky enough to get to Forbidden Planet on publication day to finally meet Christopher and get my book signed. He was as lovely and charming as I had expected and it was a real treat to meet him after more than 20 years of reading his books (I first read Darkest Day on holiday in Istanbul in 1993), and I hope to be reading them for many more years to come.












